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Roots Radics have many credited and uncredited releases. Here is a list of dub and showcase albums that are clearly credited to the Roots Radics - either in the title or collectively credited as Roots Radics.
While the list is comprehensive as of June 2016, it is not meant as a complete list.Artists and producers came to the Roots Radics for their ability to create music - to write great songs. Singers brought lyrics to Roots Radics - Radics created the music. Engineers mixed the music - they did not create the music.
Mixing a song is not writing music. Many Roots Radics sessions went uncredited but some producers and labels found it to their benefit to promote their music as created by the Roots Radics.Roots Radics' position is that, unless there is a legal written agreement otherwise, all music created and performed by the Roots Radics for producers / artists / labels is owned by the Roots Radics.
All recording was/is done as a licensing agreement which has more than likely expired. At no time have the Roots Radics given up any of their ownership claims on their original creations. Roots Radics claim all performing and publishing rights of their creations.This list has 67 entries but note that some material has been repackaged - particularly releases done by Jah Thomas.A Feast Of Yellow Dub.
.Massive Attack are an English musical group formed in 1988 in, consisting of, and formerly. Their debut album was released in 1991, with the single ' reaching the charts and later being voted the 63rd greatest song of all time in a poll.
1998's, containing ', and 2003's charted in the UK at number one. Both Blue Lines and Mezzanine feature in 's list of the.The group has won numerous music awards throughout their career, including a —winning Best British Dance Act, two, and two. They have released five studio albums that have sold over 13 million copies worldwide.
Contents.History DJs Daddy G and Andrew Vowles and artist-turned- Robert Del Naja met as members of partying collective. One of the first homegrown in the UK, The Wild Bunch became dominant on the Bristol club scene in the mid-1980s.Massive Attack started as a spin-off production trio in 1988, with the released song, 'Any Love', sung by -voiced singer-songwriter Carlton McCarthy, and then, with considerable backing from, they signed to Circa Records in 1990—committing to deliver six studio albums and a 'best of'. Circa became a subsidiary of, and was later subsumed into, which in turn was acquired. Blue Lines (1991), was co-produced by and, who also became their first manager. McVey (credited at the time as 'Booga Bear') and his wife, Neneh Cherry, provided crucial financial support and in-kind assistance to the early careers of Massive Attack, Portishead and during this period, even paying regular wages to them through their Cherry Bear Organisation. Massive Attack used guest vocalists, interspersed with Del Naja and Marshall's (initially Tricky's) own stylings, on top of what became regarded as an essentially British creative sampling production; a trademark sound that fused down-tempo, and other eclectic references, musical and lyrical.In the 1990s, the trio became known for working increasingly separately. (Mushroom) left Massive Attack in late 1999.
Despite having taken Del Naja's side and participating in a webcast as a duo the following year, Grant Marshall (Daddy G) took a personal break in 2001. Marshall rejoined the band for their following tour in 2003 and 2004, and returned to a studio role in 2005.Any Love beginnings Unsigned, Mushroom (Andy Vowles), Daddy G (Grant Marshall) and 3D (Robert Del Naja) put out 'Any Love' as a single, co-produced by Bristol double-act.Blue Lines and 'Unfinished Sympathy'. At Barcelona 20073D co-wrote Neneh Cherry's 'Manchild', which peaked at number 5 in the UK single chart.
Cameron McVey and Neneh Cherry helped them to record their first LP, Blue Lines, partly in their house, and the album was released in 1991 on Virgin Records.The album used vocalists including and, a former Wild Bunch cohort. MC's Tricky and Willie Wee, also once part of The Wild Bunch, featured, as well as Daddy G's voice on 'Five Man Army'. Neneh Cherry sang backing vocals on environmentalist anthem, 'Hymn of the Big Wheel'.That year they released ' as a single, a string-arranged track at studio, scored by, that went on to be voted the 10th greatest song of all time in a poll by.The group temporarily shortened their name to 'Massive' on the advice of McVey to avoid controversy relating to the. They went back to being 'Massive Attack' for their next single, '.Protection and Melankolic. Main article:After Shara Nelson left, the band brought in 's and Nicolette as vocalists and released 'Protection' on 26 September 1994.With McVey out of the picture, Massive Attack enlisted the production talents of former Wild Bunch to co-produce some songs on it, with Mushroom. Other tracks were co-produced by and 3D. A dub version, was released the following year.
Protection won a for Best Dance Act. The other collaborators on Protection were, a Scottish classical pianist, and Tricky. Tricky's solo career was taking off at this time and he decided not to collaborate with Massive Attack after this.1994/1995 was also the period of Portishead's and Tricky's albums and the term 'trip hop' was coined. The media started to refer to the 'Bristol scene'.In 1995, Massive Attack started a label distributed by Virgin/EMI, Melankolic, and signed Craig Armstrong and a number of other artists such as Horace Andy,.
The trio espoused a non-interference philosophy that allowed the artists to make their albums in the way they wanted.The same year The Insects became unavailable for co-production and having parted ways with Nellee Hooper, the band were introduced to, a relatively unknown producer whose main claim to fame thus far had been an association with anonymous dance-pop outfit. The first track they worked on was 'The Hunter Gets Captured by the Game', a cover version sung by Tracey Thorn for the. Initially, Davidge was brought in as engineer, but soon became producer.The trio increasingly fractured in the lead-up to the third album, Davidge having to co-produce the three producers' ideas separately. Mushroom was reported to be unhappy with the degree of the post-punk direction in which Del Naja, increasingly filling the production vacuum, was taking the band.In 1997, the group contributed to the of, recording 'Superpredators (Metal Postcard)', a song containing a sample of ' ' and 'Dissolved Girl', a new song with vocals by Sarah Jay (that was later remixed for the next album), which was featured at the beginning of the 1999 film, although it was not on the official soundtrack.Later that year they released a single, ', from what would be their third album,. Mezzanine, 'Teardrop', Vowles's departure and Marshall's absence. Main article:Mezzanine was Massive Attack's most commercially successful album, selling nearly 4 million copies. Became their permanent lead guitarist both in the studio and live.The lead single, after 'Risingson' was ', sung by of.
The song was accompanied by a video directed by, of an singing fetus. Horace Andy sang on three songs, including ' and a track the band made for the film, 'Dissolved Girl', sung by Sarah Jay, was remixed for inclusion on the record.Mezzanine went on to win a for Best Album as well as being nominated for a.Touring extensively, friction between Mushroom and the others came to a head. At the Festival 2008With Daddy G temporarily no longer involved in the studio, Davidge and Del Naja steered 'LP4' on their own. Enlisting the vocals of and Horace Andy, 100th Window was mastered in August 2002 and released in February 2003.Featuring no samples or cover versions, 100th Window was not as critically well received in Britain as the other records, although the album received a warmer reception internationally; scoring a 75 out of 100 on review aggregation site.The group collaborated with on the track 'I Against I', which appeared on the 'Special Cases' single and the soundtrack for. 'I Against I' is also notable as the only track from the 100th Window sessions that features a writing credit from Daddy G.Also in 2003, Del Naja was arrested on child porn allegations, which were reported widely in the media. Del Naja was soon eliminated as a suspect (although he was charged with ecstasy possession and unable to get a U.S. Visa for a while) with Daddy G and fans proffering their support.
The arrest affected the beginning of the 100th Window tour schedule.100th Window sold over a million copies and was toured extensively (including Queen Square, Bristol—a one-off sell out concert set up in the city centre park, which was seen as a homecoming).Afterwards, Del Naja and Davidge agreed to an offer from director, to score the entire soundtrack for, starring., who had sung with the band on the 100th Window tour, sang the end titles track, 'Aftersun'. Del Naja and Davidge also scored the soundtrack for the film, with Del Naja on the end titles' vocals.In 2005, Daddy G started coming into the studio, although little came of the material. He decided to instead work with a production duo, Robot Club, in another studio, feeling that he would be more free to develop tracks in the way he wanted.
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Meanwhile, Del Naja and Davidge recorded with a number of different singers as well as creating a track named 'Twilight', for 's album. Later that year, Massive Attack decided to release their contractually obliged compilation album in 2006. They released it with a second disc, made up of previously released non-album songs and unreleased sketches. 'Weather Underground' / Heligoland era. Main article:In 2007, Del Naja and Davidge scored three soundtracks, In Prison My Whole Life (which featured a track called 'Calling Mumia' with vocals by American rapper ), and.In February 2007, Massive Attack hosted a charity benefit for the Hoping Foundation, a charity for children. In 2008, it was announced that Massive Attack were to curate the UK's Southbank, a week-long event.
It was suggested in interviews that this event would inspire Massive Attack back into action, having spent several years drifting towards the completion of their fifth studio album.Later that year, Del Naja and Daddy G headed to 's studios for some writing and jamming. Around this time, Davidge scored the soundtrack for a film, and in December, Del Naja completed the score for with The Insects and.Davidge and Del Naja got back together in 2009 with Daddy G to finish the fifth album, incorporating bits of the Albarn material. Later it was announced that the band were to headline the 2009 festival, and soon after that they were to tour the UK and Europe. In May, Robert Del Naja's instrumental 'Herculaneum', featured in the film, won an Italian award for Best Song. Later that month, Del Naja and Marshall picked up a special for Outstanding Contribution to British Music.On 29 May Jonny Dollar died of cancer aged 45, survived by his wife and four children. Dollar was the programmer and hands-on producer behind Blue Lines, writing some of the melodies that were the basis for the string arrangements in 'Unfinished Sympathy'.On 25 August their new EP, was announced. The other new tracks on the EP were 's 'Pray For Rain', 's 'Psyche' and 's 'Bulletproof Love'.
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The latter two tracks appear as remixes of the album versions.The fifth album was released on 12 November 2009, called, after the German of, after a previous project called 'Weather Underground' was abandoned. Del Naja said 'I think it's got definitely a more organic feel'.
The opening track, 'Pray For Rain' featured guest vocals of 's Tunde Adebimpe, and Damon Albarn and frontwoman also provide guest vocals on the album. Del Naja said in October 2010, to the Spinner website, that his plans were now for 'unorthodox' releases of several EPs in 2011, rather than an album.
Ritual Spirit EP, the return of Tricky, and new songs In a 2013 interview for his first solo art show since 2008, Del Naja confirmed that not only was new Massive Attack material in the works, but that rumours of a reunion with Tricky were true. Tricky had not been featured on a Massive Attack album since 1994's Protection.The idea is to put a record out next year', he says. 'We actually get on really well at the moment because we don't spend time in the studio together', he says with a wry grin. 'Me and Tricky wrote some new tracks in Paris last year, which haven't seen the light of day yet – but that was fun.
They should be on the next album. — Robert Del Naja, Metro, 23 May 2013On 5 February 2014, it was confirmed that Massive Attack would headline at Secret Solstice, a new music festival in in June. On 21 February 2015, it was confirmed through the Massive Attack Facebook page that they would be collaborating with.On 21 January 2016, the iPhone application 'Fantom' was released.
The application was developed by a team including Massive Attack's Del Naja and let users hear parts of four new songs by remixing them in real time, using the phone's location, movement, clock, heartbeat, and camera.On 28 January 2016, Massive Attack released a new EP, which includes the four songs released on Fantom. The EP was written and produced by Del Naja and new collaborator, Euan Dickinson.It was their first release since the 2011 collaboration with, and the first time since 1994 that Tricky had been featured on Massive Attack content. Scottish hip-hop group, London rapper and singer also featured on the EP.On 26 July 2016, Massive Attack previewed three new songs: 'Come Near Me', 'The Spoils', and 'Dear Friend' on the Fantom iPhone application on which they previously previewed the four songs from the Ritual Spirit EP.On 29 July 2016, they released a new EP, ', which includes 'The Spoils' and 'Come Near Me', both previewed on Fantom. 'The Spoils' features vocals from American singer-songwriter and, and 'Come Near Me' features British vocalist. A music video for 'Come Near Me', directed by Ed Morris, and featuring Kosovan actress, was released the same day as the single. The video for 'The Spoils', featuring, and directed by Australian director, was released on 9 August 2016.
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Musical style Some of their most noted songs have been without choruses and have featured dramatically atmospheric dynamics, conveyed through either distorted guitar crescendos, lavish orchestral arrangements or prominent, looped/shifting basslines, underpinned by high and exacting production values, involving sometimes copious digital editing and mixing. The pace of their music has often been slower than prevalent British of the time. These and other, soundtrack-like and DJist sonic techniques, formed a much-emulated style journalists began to dub ' from the mid-nineties onwards, though in an interview in 2006, Daddy G said, 'We used to hate that terminology trip-hop so bad,' laughs. 'You know, as far we were concerned, Massive Attack music was unique, so to put it in a box was to pigeonhole it and to say, 'Right, we know where you guys are coming from.'
' Other projects 'Fire Sale' exhibition A solo exhibition of Del Naja's art was held at the Lazarides gallery in central London, from 24 May to 22 June 2013. The show's content spanned a period of over twenty years and featured many of the art pieces that Del Naja created for Massive Attack. Each piece, reinterpreted especially for the exhibition, was hand-printed and finished. The show also featured three one-off 'digital infinity mirrors', two of which contained phrases supplied by that were extracted from pilot dialogues.
Del Naja performed a DJ set during the opening night on 23 May 2013. Massive Attack and Adam Curtis Del Naja conceived and designed an eight-night festival with filmmaker —in collaboration with UVA —that premiered in Manchester, UK in July 2013.
The festival featured Curtis's film, unofficially titled The Plan, which was projected on a huge screen surrounding the audience, while music from Massive Attack was interweaved throughout the film. Del Naja, who orchestrated the film's soundtrack, described the experience as a 'collective hallucination' and the film was also shown at the in July 2013. Music created by Del Naja for the festival became the score for a production entitled in 2016.In 2019, Del Naja and Adam Curtis teamed up for a second time on a live show based on the bands' Mezzanine album. The show challenged the idea of nostalgia and power, and featured machine learning GANS and deep fakes from Mario Klingemman, as well as new films from Curtis that were used to tell a narrative story. They were used as visuals for cover versions of non Massive Attack songs based on samples and loops that made up the album's identity. Activism and politics Robert Del Naja has been critical of UK government policies. He was strongly opposed to the 2003 war against, and with fellow musician Damon Albarn personally paid for full page adverts against the war in the magazine.Massive Attack have worked with and, while also having helped fund a legal challenge to military invervetion in the international courts.In 2005, Del Naja organised and performed at a charity concert in for Tsunami Relief with Adrian Utley and of.
The two-night event featured Massive Attack, Portishead, and Albarn.In 2017, Massive Attack performed three shows in support of Hoping, an organisation that helps raise money and supports projects for Palestinian youth in refugee camps in the and the, and.The same year, Del Naja, musicians Albarn and, and United Visual Artists contributed to a demonstration against the renewal of the that was held on board the Arctic Sunrise on the.In 2008, Massive Attack curated the annual Meltdown festival on London's south bank. During the two weeks of live performance, cinema and art, they worked with human rights lawyer and his organisation which uses the law to enforce the of prisoners.In 2010, the video shot by for the song 'Saturday Come Slow', featuring Albarn, drew attention to the use of music in torture. In 2010, Massive Attack donated the income from a Lincoln car commercial to the clean up campaign after the.Massive Attack donated all proceeds from their 2010 EP Atlas Air to, a charity the band previously supported when they contributed to.Massive Attack have previously played two shows in, but have declined recent offers. They have described this 'not an action of aggression towards the Israeli people' but 'towards the Israeli government and its policies', arguing that 'the Palestinians in Gaza and the West Bank have no access to the same fundamental benefits that the Israelis do.' Del Naja and of threw an unofficial party at the occupied building in the city of London in December 2011, in support for the international movement.On 14 November 2012, on the eve of the election, the band caused some surprise by endorsing independent millionaire and former, citing the need for a mayor who would help facilitate creative projects to the city, and wasn't simply following a party political agenda.
Previously, Del Naja had openly criticised Ferguson for being a member of the, an organisation dating back to the 16th century which had many connections with the.During a concert in, Massive Attack named those who died in on the outdoor screen at their back with the following sentences: 'Their killers are still out there' and 'We won't forget '.In late July 2014, Del Naja and Marshall visited the Bourj El-Barajneh refugee camp in Lebanon to meet with Palestinian volunteers at an educational centre. The band's profit from the show in Byblos was donated to the centre.Del Naja told of his decision not to tour in Israel, due to the continuing of the Gaza strip.In March 2018, following the, Massive Attack suspended their Facebook page stating, 'In light of Facebook’s continued disregard for your privacy, their lack of transparency and disregard for accountability – Massive Attack will be temporarily withdrawing.' Since October 2018, Massive Attack have also been supporting the climate activists of the Extinction Rebellion group, also known as XR, who conducted protests in London in October 2018 then April 2019.
On 21 April, Massive Attack played a DJ set for the Extinction Rebellion protesters in the heart of London in Marble Arch.